Catalogue
of
Estey Organs
ESTEY ORGAN COMPANY
BRATTLEBORO, VERMONT
eon Ase
DESCRIPTIVE CATALOGUE
OF
Estey Organs
A Record Unparalleled!
THREE HUNDRED AND
FIFTY THOUSAND MAN-
UFACTURED AND SOLD
1905
ESTEY ORGAN COMPANY
BRATTLEBORO, VERMONT, U. S. A.
Style 121
Case
Length, 3 feet 10 inches. Height, 6 feet 4 inches.. Depth, 1 foot 8 inches. Weight (boxed), 335 pounds.
Style 121. covs—somesteaa Oar,
CONTENTS.
“Two full sets of Reeds of five octaves each, | _ Bass. $ Treble.
with Treble and Bass Couplers, Knee | Mopti iaa
a. 7, Viola, Vox Jubilante,
Swell, Grand Organ, Vox Humana, ete. oc aea
I Forte, II Forte,
EreveN STOPS. Vox Humana.
Furnished only in Oak Case.
As a fitting successor to the phenomenally popular style 101, recently withdrawn, the
above organ will be found fully adequate.
In richness of detail it is pre-eminent. All architectural effects are in excellent taste.
LE Style 571
Case
Length, 4feetSinches. Height, fect 4inches. Depth, 1 foot 8 inches. Weight (boxed), 880 pounds.
Style 501. Five Octaves. : Style 571. — Six Octaves.
Cons | Petter (Oa CONTENTS. Cope | Res (Oa
Two full sets of Recds extending through- | _ Bass. p Treble.
y Melodia, E Diapason,
out the keyboard, with Treble and Bass Dolce, Dulciana,
z 5 q Viola, Va ilante,
Couplers, Knee Swell, Grand Organ, x ES Coupler, la er er,
I Forte, II Forte,
Tremolo, etc. ELEVEN STOPS. Vos Humana.
Always specify whether Oak or Walnut Case is wanted.
‘This organ is furnished in six octave Case always, whether a five octave or six octave in-
terior is used.
The extra length and proportionate height add much to the appearance of the organ.
3
Style 871
Case
TA
TIT E A
Length, 4feet 3 inches. Height, 6 feet 11 inches. Depth, 1 foot 8 inches. Weight (boxed), 380 pounds.
Style 801. Five Octaves. Style 871. six Octaves.
J Flexible (Walnut). Cone $ Eligħty (Walnut).
CODE} Fliekering (Oale). CONTENTS. ( Blinching (Oak).
Two full sets of Reeds extending through- Bass. Treble.
5 E Bae Melodia, Diapason,
out the keyboard, with Treble and Bass | Dolce, Duelciana,
Couplers, Knee Swell, Grand Organ, Viola, Vox Jubilante,
È Bass Coupler, ‘Treble Coupler,
Tremolo, etc. E.rven Srops. I Forte, II Forte.
Always specify whether Oak or Walnut Case is wanted.
This organ, whether five or six octaves compass, is furnished in the enlarged or six
octave Case.
This greatly enhances the beauty and impressiveness of the completed instrument.
4
Style 221
Case
Length, 9 fect 10 inches. Height, 0 feet 11 inches. Depth, 1 foot 8 Inches. Weight (boxed), 380 pounds.
Style 221. Five Octave Case only,
CODE—Hamlet. CONTENTS.
Two full sets of Reeds of five octaves each, | Bass. Treble.
i A a | Melodia, Diapason,
with Treble and Bass Couplers, Knee | Dolce, Dulciana,
a = Viola, Vox Jubilante,
Swell, Grand Organ, Tremolo, etc. Bass Coupler, Treble Coupler,
I Forte, II Forte,
Erven Stops, Vox Humana,
Furnished in Oak only.
This upright organ is very imposing in appearance; the beautiful mirror is much admired,
and, taking it altogether, there is nothing on the market that meets it, It is bound to bea
great seller.
3
Description of Interiors.
Used in Organs hereinafter mentioned.
FIVE OCTAVE STYLES.
Two sets of Reeds with
Style 32.
Divided Couplers.
Exe
Knee Swell and Grand Organ (Knee).
Srops.
Three sets of Reeds with
Manual
Style 38.
one octave of
Sub-Bass Reeds and Octave Coupler.
THIRTEEN STOPS.
Knee Swell and Grand Organ (Knee).
Style 47. Four sets of Reeds with
one octave of Manual
Sub-Bass Reeds and Octave Coupler. The
HarpÆolienne in this action is very effective.
As an accompaniment it is unexcelled.
Fourteen Srops.
Knee Swell and Grand Organ (Knee).
SIX OCTAVE STYLES.
Two sets of Reeds with
Style 72.
Divided Couplers
Exeven Stops.
Knee Swell and Grand Organ (Knee).
Three sets of Reeds, with
Style 78.
one octave of Manual
Sub-Bass Reeds and Octave Coupler.
THIRTEEN STOPS.
Knee Swell and Grand Organ (Knee).
Four sets of Reeds, with
octave of
Style 79.
one Manual
Sub-Bass Reeds and Octave Coupler.
FOURTEEN STOPS.
Knee Swell and Grand Organ (Xnee).
This style is rendered especially desirable
by the use of the Harp Zolienne Reeds,
which must be heard to be appreciated fully.
Bass. Treble.
Melodia, 8ft. Diapason, S ft.
Dolce, sft. Dulciana, 8 ft.
Viola, 4 ft. Vox Jubilante, 8 ft.
Bass Coupler, Treble Coupler,
I Forte, II Forte,
Vox Humana.
Bass. Treble.
Melodia, 8 ft Diapason, 8 ft.
Dolce, 8ft. Dulciana, 8 ft.
Viola, . 4ft. Flute, 4 ft.
Violetta (soft), 4 ft. Vox Jubilante, 8 ft.
Sub Bass, 16 ft. Octave Coupler,
I Forte, II Forte,
Vox Humana.
Bass. Treble.
Melodia, 8 ft. Diapason, io
Dolce, . . . 8ft. Duiciana, 8 ft.
Viola, 4 ft. Flute, 4 ft.
Harp 2 Vox Jubilante, 8 ft.
Sub-Bass, Bourdon, . 16 ft.
Vox Humana, Octave Coupler,
I Forte, IT Forte.
Bass. Treble.
Melodia, 8 ft. Diapason, 8 ft.
Dolce, 8 ft. Dulciana, 8 ft.
Viola, 4 ft. Vox Jubilante, 8 ft.
Bass-Coupler, Treble Coupler,
I Forte, I Forte,
Vox Humana,
Bass. Treble.
Melodia, 8 ft. Diapason, 8 ft.
Dolce, 8 ft. Duleiana, 8 ft.
Viola, 3 4ft Flute, . 4 ft.
Violetta (soft), 4ft. Vox Jubilante, 8 ft.
Sub-Bass, . . 16 ft. Octave Coupler,
I Forte, II Forte,
Vox Humana.
Bass. Treble.
Melodia, 8 ft. Diapason, 8 ft
Dolce, . 8ft. Dulciana, 8 ft.
Viola, . . . 4ft Flute, 4 ft.
Harp Atolienne, 2 ft. Vox Jubilante, 8 ft.
Sub-Bass, . . IGft. Bourdon, . 16 ft.
Vox Humana, Octave Coupler,
I Forte, TI Forte.
Length (5 octaves), 3 feet 9 inches, (6 octaves), 4 feet 2inches. Height, 6 feet 4inches. Depth, 1 foot 11 inches.
Weight (boxed), 380 pounds.
FIVE OCTAVES. SIX OCTAVES.
Style N 32. com fores Ong Style N 72. ` cove Glevera (waa,
Style N 38. coos/ Sitter (Wann. Style N 78. cone {Girondist oa
, ; y | Gladdened (Walnut).
Style N 47. cove {Glimpse (wainuy Style N 79. cons! Gladdened Walnut)
For detailed description of Interiors, see sixth page.
Always specify whether Quartered Oak or Black Walnut Case is desired.
The moment the eye lights upon this organ the attention is riveted. For an organ of
moderate expense it cannot be excelled.
As will be seen by examining the list of st this is furnished six octave Case also.
There are several styles of interiors which can be furnished in this case and the cost is
very low in proportion to the value offered.
Length (5 octaves), 3 feet 10 inches, (6 octaves), 4 feet 3 inches. Height, 6 feet 4 inches. Depth, 1 foot 11 inches,
Weight (boxea), 400 pounds,
FIVE OCTAVES. SIX OCTAVES.
Style FF 32. coo gente gas Style FF 72. cone |fiosming namo
Style FF 38. cove i ona. Style FF 78. cove (Sib Walnut.
Style FF 47. Coosi di OS Style FF 79. cove/ @iwmenng Wand.
For detailed description of Interiors, see sixth page.
Always specify whether Black Walnut or Quartered Oak Case is desired.
Many customers are seeking an organ which not only affords the maximum in tone, both
quantity and quality, but also a case of the finest design with appropriate carving and con-
venient accessories.
All these desirable features are found in the organ shown above. A wide variety of in-
teriors, both in five and six octave Cases.
3
Style 671
Case
Length, 4 feet 03s inches. Height, feet 10 inches. Depth, 1 foot 11 inches. Weight (boxed), 410 pounds.
FIVE OCTAVES. SIX OCTAVES
Style 601. conei pikas Style 671. coe {piskas
Style 638. cove (paea STE Style 678. 000 HEM APS,
Style 047. cove {pei (an> Style 679, coe | HEERES
For detailed description of Interiors, see sixth page.
Always specify whether Black Walnut or Quartered Oak Case is wanted.
It is the constant aim of this Company to supply organs of such design as to suit as
nearly as may be all classes of purchasers.
The organ shown above is preëminently artistic in design, is richly decorated and en-
tirely new.
The organ itself is wonderfully rich and attractive and full of merit. Furnished in five
and six octave compass.
Length (5 octaves), 3 feet 10 inches, (§ octaves), 4 feet 3 inches. Height, 6 feet Sinches. Depth, 1 foot 11 inches.
Weight (boxed), 410 pounds:
FIVE OCTAVES. SIX OCTAVES.
Style S 32. coor Í Slemes (walnut). Style S 72. cone { Bisgey Walnut
Style S 38. cope {Eae B® Style $ 78. cove BEEE
Style S 47. coo Sse ae Style S 79. cove SERR
For detailed description of Interiors, see sixth page.
Always specify whether Black Walnut or Quartered Oak Case is preferred.
While this organ has been longer in the market than some of the others, it still holds a
unique place in the trade and is a wonderfully good seller. A triple mirror effect adds
much to its richness and there is just enough of ornamentation to embellish but not overload
the case. The interiors furnished are excellent in variety and adapted to all buyers,
As will be seen it is made in five or six octaves.
10
Style XX
Case
Length, 4feet5 inches. Height, 1 fect. Depth, 2 fect 2inches Weight (boxed), 385 pounds.
Style XX 74.
cone | Estes (Qelo.
one Ra ones (Mahogany), octaves compass, with Divided Couplers.
Contains two complete sets of Reeds of seven and one-third
Style XX 75. Contains two full sets of Reeds of seven and one-third octaves
| Fathom (Oa). each and one partial set of four and one-third octaves, with
Cone} Fathomless (Walnut, mon
Fatlings (Mahogany). Divided Couplers.
In appearance these organs are the closest possible approach to a Piano and every detail
in design and construction has been carefully considered.
In tone, they are all that can be desired, while in design, material and all that goes to
make up a superior organ, they are not excelled,
The name Lsvey is surely an all-sufficient guarantee.
rr
Style W
Piano Case
Length, feet. Height, feet 7 inches. Depth, 2 feet inches. Weight (boxed), 445 pounds,
Style W 74. Two full sets of Reeds with Divided Couplers.
Comité? | Seven and one-third octaves compass.
l History Mahogany).
It will surely be acknowledged that this is the handsomest design in Piano-Case Organ
ever shown. There is nothing in any catalogue that approaches it. It will sell itself if it
has a fair chance.
The absence of Knee Swells makes a notable improvement in its appearance. The third
pedal is for utility, and not for appearance only.
‘The fundamental reeds—Diapason and Melodia—are in ““open register,” as they are
always wanted. The Vox Jubilante and Viola reeds are controlled by miniature stop knobs
just above the keyboard. The couplers are operated by the middle pedal.
The full scale keyboard enables the performer to render piano music with ease, and this
is considered by many a great improvement.
The repetition or response to the touch of the player is instantaneous, as in all Estey
Organs.
Altogether it is the greatest seller in its line on the market.
12
Style 8
Case
OE
| o
Length, 3 feet 8 inches. Height, 3 feet 4inches. Depth, 1 foot 6 inches. Weight (boxed), 230 pounds.
SCHOOL ORGAN. In Oak only.
Style 8.
CoDE—Faltereth.
CONTENTS. RECAPITULATION.
Two full sets of Reeds extending through- | Basso Treble.
out the keyboard, with Treble and Bass Melodia. Diapason,
Couplers, Knee Swell, Grand Organ, Viola, Vox Jubilante,
Bass Coupler, Treble Coupler.
etc. Six Srops.
Furnished ohly in Oak Case.
An ESTEY organ at a price that the smallest school or other organization need
not stagger at the cost.
Of course ‘‘ES TE Y’’ on the nameboard is sufficient guarantee, because, no matter
what the price, if that magic name is there the ORGAN 1s atu RIGHT.
13
Style 11
Case
Style 11.
Cone { Fion
Ploridness (Walaut),
Flotilia (Oak).
CONTENTS.
Two full sets of Reeds of five octaves
each, with Treble and Bass Coup-
lers, Knee Swell, Grand Organ,
Tremolo, etc.
Eveven Stops.
RECAPULATION.
Bass. Treble.
Melodia, Diapason,
Dolce, Dulciana,
Viola, Vox Jubilante,
Bass Coupler, Treble Coupler,
1 Forte, II Forte,
Vox Humana.
Always specify whether Oak or Walnut Case is wanted.
Case—Regular Oak or Black Walnut.
Actioy— Excellent working; best material.
Berrows— Special construction; ample wind capacity.
Rueos—£stey, the best in the world.
Length, 3 feet 10 inches.
Style R 32. Errvex Sro»s.
{ Livery (Walnut).
1 Hellespont Oak).
Bass.
cope}
Melodia, . . . 8 ft.
Doren TES
cla E
Bass Coupler,
I Forte,
Helght, 1 feet 4 inches.
y a A
Treble.
Diapason, 3 8 ft.
Dulciana, 8 ft.
Vox Jubilanto, 8 ft.
Treble Coupler,
II Forte,
Vox Humana.
Depth, | foot 11 inches.
Weight (boxed), 300 pounds.
Style R 38. Tumrreex Srors.
3 Walnu:)
Cone [finas oa
Bass.
Melodia, . . . . 8Ít.
Boto DEN
Viola, TGA
Violetta (Soft), | 4 ft.
Sub-Bass, . . . 16 ft.
I Forte,
Treble.
Diapason, —. 8 ft.
Dulciana, - - - 8ft
Flute, . | opt
Vox Jubilante,. | $ ft
Octave Coupler,
II Forte,
Vox Humana.
The above organs can be had to order with six octaves compass.
Style R 97. Sixreew Srors.
Bass.
Melodia, E
Dolce,
Viola, |
Viola Dolce,
Harp Æolienne,
Sub-Bass,
The most beautiful and appropriate organ,
8 ft.
8 ft.
q ft.
4 ft.
2 ft.
Ea
Always specify whether Oak or Walnut Case is wanted.
sope | Lodgmeas (Walnut).
Corr | Hilarity (Oak).
r Treble. Accessories.
Diapason. . x 8ft. — Vox Humana,
De 8 E Treble Coupler,
Flute, . + 4 ft. ss Coup
Vox Jubilante, | 8 ft E eee
Choral, . oars 8 ft. E
in its class, now
Melodia Forte.
on the market. The
burnished brass rail around the top, and the back richly finished like the front, render the
organ pleasing from every point of view.
in fact.
15
Tone is massive and satisfying; above criticism,
Height, 4 feet 4% inches. Depth, 2 feet 2 inches.
Style H 33. Two sets of Reeds with
Cone (Farmis Wamu. Divided Couplers.
t Henceforth (Oak).
ELEVEN STOPS.
Knee Swell and Grand Organ (Knee).
Style H 38. Three setsofReeds, with
Cong | Fantasia (Walnut), One octave of Manual
(Henchmen (al. sup Bass Reeds and
Octave Coupier.
THIRTEEN STOPS.
Knee Swell and Grand Organ (Knee).
Style H 97. Four sets of Reeds, with
sope {Fashion (Walnut. One octave of Manual
CODE} Heraldic (Oak). 3
Sub-Bass Reeds and
Octave Coupler.
SIXTEEN STOPS.
The Harp Alolienne in this action is very
effective. As an accompaniment it is un-
excelled.
Knee Swell and Grand Organ (Knee).
Length, 4 feet 3 inches.
Bass.
Melodia, .
Dolce,
Viola,
Sub-Bass,
I Forte,
Bass.
Melodia, .
Dolce,
Viola,
Violetta (soft),
Sub-Bass,
I Forte,
Bass.
Melodia, .
Dolce,
Viola, .
Viola Dolce,
Harp Molienne, .
Sub-Bass,
Melodia Forte,
Bass Coupler,
Weight (boxed), 400 pounds.
8 ft.
8 ft.
4 ft.
. 16 ft.
Treble.
Diapason,
Dudciana,
Vox Jubilante, .
Vox Humana,
II Forte,
Octave Coupler.
8 ft.
8 ft
4ft
4 ft
+ 16 ft.
Treble.
Diapason, . .
Dulciana,
Flute, o
Vox Jubilante, .
Octave Coupler,
II Forte,
Vox Humana.
8 ft.
8 ft
af
4ft
2 ft.
a 26. ft
Treble.
Diapason,
Dulciana,
To a e g
Vox Jubilante, .
Choral,
Vox Humana,
Flute Forte,
‘Treble Coupler.
Philharmonic
Chapel
Organ
8 ft.
8 ft.
8 ft.
8 ft.
8 ft.
4 ft.
8 ft.
8 ft.
8 ft.
4 ft.
8 ft.
8 ft.
These organs are furnished with the Zstey PHILMARMONIC REEDS, which are without a
peer in their musical and “carrying” qualities. The Gothic design of cas
is especially in
keeping with most church interiors, and the organ in its entirety is a marvel of completeness.
16
Broad
Philharmonic
Scale
(With Blow Handle.)
Length, 4 feet 9 inches.
Style O 97. Sixrien Srops.
o Honeycomb (Walnut),
Cone | Honesty Oak.
Bass. Treble.
Melodia, 8 ft. Diapason, . 8 ft.
Dolce, $ ft. Dutciana, . 8 ft.
a sara fe Flute, Bo ARS
Viota Dolce, . 4 ft. Vox Jubilante, 8 ft.
Harp Holienne,. 2 ft. Choral. . . . 8 ft.
Sub-Bass, . . 16 ft. Vox Humana,
Melodia Forte,
Bass Coupler,
Flute Forte,
Treble Coupler.
Style O 57. Seventeen Srors. F Scale.
o ziz Walnut).
O a
Bass.
Bourdon, 16 ft.
Diap: 8 ft.
Dulciana, 8 ft,
Flute, . 4ft
Flute d’ Amour, q Et
Harp Zolienne, 2ft
Sub-Bass, 16 ft.
Bass Coupler,
Height, 4 feet 1inch. Depth, ? feet 4 inches.
Weight (boxed),
Style O 94. Four
$ Diviner (Walnut).
CODE } Divulson (Oak).
Bass. Treble.
Corno, - 16 ft. Corno,
rumpet, . 8 ft. ‘Trumpet, -
Diapason, - 8 ft. Diapason, . .
HERE oo oe Lhe TONES a oo
Harp Aoliennezsets2 ft. Vox Jubilante,
Sub-Bass, . . . 1641. Vox Humana,
Bass Coupler, ‘Treble Coupler.
Treble.
Bourdon, .
Diapason,
Dulciana,
Flute, =
Llute d' Amour,
Choral, E > E É
Vox Jubilante, da es
‘Treble Coupler,
Vox Humana.
7)
0 pounds.
N STOPS.
F Scale.
. 16 ft.
8 ft.
sit
4 ft,
8 ft.
16 ft.
8 ft.
8 ft.
4ft
4 ft.
8 it.
8 ft.
Philharmonic
Style i Series
Case
Both the interiors detailed below are furnished with the largest scale of the patented
(not to be found in organs of other manufacture), and in tone
Estey PHILHARMONIC REEDS
creation they are not equalled by any competitor.
Style V 57. F Scale Sevewreex Srors.
$ Goocness (Walnut).
CODE Happening (Oak).
Bass. Treble. Mechanical.
Bourdon,. . . . 16ft. Bassett, . . . . 16 ft. Bass Coupler, ‘Treble Coupler,
Melodia, . . . . 8ft Diapason, . . . 8ft. Vox Humana, Hand Side Blower,
Dis 6 6 2 5 Bis Prati. AS ES Grand Organ, Knee Swell,
ato o é q o ARE Organist's Bench.
Viol d'Amour, . 4ft. Flete d'Amour, . q ft
Harp Zolienne, . 2ft. Choral, . . . . 8 ft.
Sub-Bass, . . . 16ft. Vox Jubilante,. . 8 ft.
Style V 65. F Scale. Nivereen Srors.
Cove | figppity Oa.
Bass. Treble. Mechanical.
Bourdon, . . 16ft. Clarionet, . . 16 ft. Bass Coupler, “Treble Coupler,
Sub-Bass, . . . 16 ft. Bassett, . . . . 16 ft. Vox Humana, Hand Side Blower,
Melodia,. . . . Sft. Diapason, . . . 8 ft. Grand Organ, Knee Swell,
Dolce,. . . . . 8ft. Dulciana, . Da Organist's Bench.
AS E
Vox Jubilante,, . 8 ft.
Viola. = 5 Pe yatite ssbilutes AE
Viol d'Amour, . 4ft. Flute d’Amour, . 4 ft.
Harp “Eolienne, . 2ft. Wald Flute,. . . 2 ft.
The Reeds are
not made like the ordinary organ reeds, but have wide tongues or vibrators which are
Into these organs are introduced the special scale Philharmonic Reeds.
mounted upon extra wide and heavy brass plates; the case also is much larger than the
regular organs, to receive the special size reed board and bellows.
The general effect of this aggregation of heavy-toned reeds is phenomenal, and places
these organs distinctly out of competition.
They are furnished either with or without the Pipe Top. In either case it is complete,
as the Pipe Top is for appearance simply. For church use it certainly adds much to its
impressiveness, and at the moderate advance in cost is often selected. If ordering by wire,
remember that the code word does not include Pipe Top.
The effect without the Pipe Top can be easily seen by covering it.
Always specify whether Oak or Walnut Case is wanted.
18
Philharmonic
Church E V
Organ ase
- With Pipe Top
a
Length, 4 feet 11 inches (with Blow Handle, 6 feet 1inch). Height, 4 feet 6 inches (with Pipe Top, 8 feet 4inches). Depth, 2 feet
inches. Weight (boxed), 540 pounds (Pipe Top, 265 pounds additional).
Finished to match church or hall furnishings when so ordered, Furnished either
with or without Pipe Top, according to price.
19
Philharmonic
Style T
Case
TWO MANUALS AND PEDALS.
Style T 58. Fires Srors. Nine Rows. 487 Reeds.
Without Pipe With
ipe To
cope {Forerunner (Walnut). cope { Poresecing (Walnut
SPECIFICATION.
Manuals.
s compass, CC to Ct, 6r notes.
Pedals.
d one-half Octaves compass, CCC to F, 30 notes.
Great Manual. Swell Manual.
Bourdon . . So. eo . 16 ft., 61 notes. Dulciana . ea 000 . 8ft, 61 notes.
Clarionet . . . + =. - . - 16ft., 37 motes: Vox Jubilante . . . . . . . 8 ft, 37 n0t
Diapason or AS EOS A E A i Or motes,
‘Trumpet . E 8 ft., 61 notes Harp Molienne (two ranks) 4 notes.
Pedal Organ.
Open Diapason. . . . . . . 16 ft, 30 notes. Stopped Diapas + 16 ft., 30 notes.
Couplers.
Swell to Pedals.
Great to Pedals.
Accessories.
Vox Humana. Wind Indicator. Organi Hand Side Blower.
Pedal Movements.
Full Organ. Balanced Swell.
This organ is designed for use in small churches, and is well adapted also to lodge rooms.
As in Pipe Organs, the registers or sets of reeds run throughout the keyboard instead of
dividing, as in the one-manual organs.
The design on the opposite page represents the Organ with the Pipe Top. By covering
the top the effect without it can be readily observed.
20
Height, 5 feet (with Pipe Top, 8 feet 10 inches). Length, 5 feet 2 inches (with Blow Handle, 6 feet 4 inches). Depth, 2 feet 7 inches
(with Pedals, 4 feet 2inches). Weight (boxed), 900 pounds (Pipe Top adds 280 pounds).
In Quartered Oak or Walnut Casing.
21
59 Philharmonic
N
Interior or Action. Firrrex Srars. Ten sets of Reeds.
TWO MANUALS AND PEDALS.
SPECIFICATION.
Manuals.
Five Octaves, CC to C4, 61 notes.
Pedals.
Two and one-half Octaves, CCC to F, 30 notes.
Great Manual. Swell Manual.
O 6rnotes. Bourdon, 7... .. . . . 16 ft., 37 notes.
Diapason, » Peer . 8 ft., 6x note: O ft. ro notes.
sitcom pets: weer ee Et lOrimotes: Dulciana, .
Salicional Sto Grnotes: Flute, ⁄
Pedal Organ.
Open Diapason, . . . . . - 16 ft, 30 notes. Stopped Diapason, . . . . 16ft., 30 notes.
Total, 524 Reeds
Couplers.
Swell to Great. Great to Pe
Octave Coupler (Great). Swell to Ped
Accessories.
Vox Humana. Wind Indicator. Organist's Bench Hand Side Blower.
Pedal Movements.
Full Organ Balanced Swell.
This organ is in touch with the latest developments in reed organ building and is
appropriate for churches or other public places.
The registers are complete in themselves and not divided as in single manual organs.
The pedal registers are of the full two and one-half octave scale, the same as the
modern Pipe Organ.
It is furnished with the large scale Philharmonic Reeds, which approximate in quality
of tone the Pipe Organ.
For illustrations of casing see following pages.
22
Style K 59
EN
EEE:
i
inches (with Pipe Too, . Deptt, 2 feet
pounds (Pipe Top a
with Blow Lever, 6 feet 11 inches). Height, 5 fe
feet 2 inches). Weight (boxed),
Length, 5 feet 9 inches
Sinches (with Pedal
Style K 59.
Without Pipe Top.
FeSi
CODE} Hermit (Oak)
-dian (Walnut).
).
ost
CODE } Hereditas
A very attractive Pipe Top can be furnished, when desired, at a moderate advance in cost.
For description of interior see opposite page.
Furnished in Black Walnut or Quartered Oak Casing.
23
Height, 9 feet 10 inches, Depth, 8 feet (with
(with Blow Levei
Style G 59 Furnished with Blow Lever.
CODE—Heroist Sm. D
For contents see page twenty-two.
24
A Brief Description of the Stops in use in Estey Organs.
In specking of a Stop as a Treble Stop or a Bass Stop, we mean a set of reeds situated in the
«upper or treble part of the organ, or in the dower or bass part. With this explanation the following
enumeration of Stops will be rexdily understood. In Two Manual Orgaus the Stops run the entire
length of the Keyboard.
- 7 7 -
CHARACTERISTICS. RE Rda CHARACTERISTICS,
Bassett. . |Zreble Rich perveding tone. | Pede. Soft accompanying step.
lot ie Stopped lg q | e oo, senna, vu
n [=> Diapason. solos,
Bassoon. 8 ft. | Bass, Very powerful.
Bourdon, |16 ft. | Bass and Treble Full and round.
| Sub-Bass. |16 ft. | Bass. Powerful ana resonant.
| |
8 ft. | Treble. Very strong, open tone.
Treble, Large tone, bright and
Choral. Sift |e eee gi
ES Bass. Same character as Flute set,
Viola, 4 ft. | “of which it is the contin
Used much for accompaniment
4 ft, | Pass Very softand smooth tone; for
sas Siete wa dE
8 ft. | ass, Soft and rich, Xacellent for | Violetta. accompaniment and echo effects.
accompani
Dol. Xa mant pi
character; very effective sa solo,
dante, $ ft | and when used ia combination
Jubilante.l Svith other stops imparts a pecie
Treble, Foundation set of reeds by
which ah others me tuned | VOX
Round, full tone. Used more
generally than any other stop, jar brilli -
generally tien? liar brilliancy to all.
Er ERR, Treble, Very cleat and penetrating.
Similar in quazity to Diapa- | Wald Flute. | 2 ft. | -Used almost entirely with FUA
| ia
son, but not as loud. Organ.
|
Bust. Similar to Melodia, but not
asno pe | MECHANICAL STOPS.
Treble, Brilliant, but not reedy.
Generally used in combination. || NAME.
CHARACTERISTICS.
eel Pec a to] nsiructed e)
Treble. A soft effec: produced with | Balanced a Opa
Sn | Swell, and will remain at any given point if
A desirable to release the foct.
Bass, Smooth and pipes
ein tone, 7
Forte. Opens svrells, and augments the tone.
Bass. Gloss resembies the tones at
28. produced by the vibrations of || Grand Organ.
ings into use all the reeds
the organ:
ie fhe strings of an Æolian Harp. | without the necessity of drawing a stop.
Eoliene Very ine for accompaniment. 3 Sa
Hi a AAA So oustiusted (hat when any key is dc
authoy 8 ft. | Treble. Reedy in character, and O
e - Rel = thereby causing both (o sound simultane
or Oboe, very effective as a solo atop. Pe
x SER EA | Sires seme effect es Forte, only more gra
Melodia. 8 ft, |G: Such lit is the contumation, | Knee Swell ada,
Used in organs with two manuals, and so
Octave.
öle, 1 oanectiug them that when a’key om
Es Swell to the lower manual 15 depressed it also
One RS Great. depresses the corresponding key of the
en Kidal. Strong, fundamental tone, "| upper manual.
Pi 16 ft. | "used with Great Organ and || ————— A
pero with full combination. 1 Swell to Used in organs having Pedal Keys, and so
AS E Pedals, | counecting the mannale that when se
i > al is depressed its correspondin.
Pedai Bass. |16 ft. | Peda} Deep, round and futi. Great to Eoy i heranna! oi asea
Pedals. respouds also.
A revolving fan, placed just back of the
| reeds, which, when set in motion, im-
| Vox parts to the tone a trilling wevelike
Treble. Strong solo stop. Also, de-
sicable in combination.
E |! effect. it changes the ceed tone com-
Treble, Reedy tone, with good car) Humana.) cis ore c ugmuosthetic once
aying power. | ness of the human voice.
See ES